Spanning more than 150 years, Former Glory questions our emotional connections to the flag and explores its presence in domestic and international communities. Humorous, violent, critical, and sentimental, these varied works acknowledge and reflect on American nationalism and our complex histories.
Works from the collection 1920-2021 Our anniversary exhibition is Friendship. Nature. Culture. 44 Years of the Daimler Art Collection‹ looks back on the development of an internationally renowned corporate collection. From over 3,000 artworks in the collection, founded in 1977, about 100 works by ca. 70 artists have been selected. In a broad sense, relating […]
Abstract
Annu Palakunnathu Matthew’s work “re-dresses” the legacies of nineteenth-century modes of imaging “Indians,” that is, both Native Americans and South Asian Americans. She honours the self-fashioning buried in nineteenth-century photographs of “native types” by restaging photographs with her own body, re-dressed in a construction of what an “Indian from India” is expected to be, all the while subtly pushing back at those expectations. For Matthew, photographs emerge as active participants in re-dressing and redressing the colonial and diasporic relation by demonstrating the ways in which Brown bodies continue to be forced into particular kinds of self-presentation; enacting the exhausting demand to assert oneself as Indian, American, human, legitimate, and belonging, and presenting these struggles as intimately linked to nineteenth-century legacies of representations of colonized, Brown bodies.
